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IN SOUTHERN UTAH the skin of the earth has been ruptured by the upward thrust of the fractured bones underneath. In cliffy mazes that frustrated the westward migration of Mormon pioneers, the ancient ones wintered. They protected themselves from their enemies in hidden rock shelters high above the canyon floor. They took advantage of solar power and selected alcoves in south-facing canyon walls. They cached their corn and squash in stone-capped pits in hopes of thwarting scavengers and thieves. They dug kivas in the sand and lined them with the skeletal debris that had broken free of the canyon walls. And when the stars lit the night sky, they descended into the kiva-womb of the earth to consult with the deities in charge of the rain and the deer hunt.

The rising and setting of the sun, the phases of the moon marked the passage of time. The greening of cottonwoods and migration of the deer signaled the onset of the hot season and the urgency of returning to the mesatop or mountains.

"Our disconnection from the rhythms of nature drains us of our spirituality, making us less sensitive to the wonders of the Earth," says
Brinkeroff

 

It took Val Brinkeroff '88MFA only five years to photograph approximately 80 Anasazi ruins in the Four Corners area. In one year alone, he put 100,000 miles on his 4WD truck, driving back and forth between Wyoming, where he was living at the time, and Cedar Mesa in southern Utah, or Canyon de Chelly or Mesa Verde or Navajo National Monument across the border. Mostly Cedar Mesa, because the ruins there were hard to find, rarely photographed and frequently vandalized. "Most photographers are modern-day explorers," Brinkerhoff says. "The excitement of discovery is in coming across a new site and contemplating how to photograph it effectively."

Unable to protect the ruins from vandalism, Brinkerhoff decided to document them with a large format camera and large Ink Jet prints, a new medium at the time. The project was partially inspired by Professor Craig Law's photographs of Utah's rapidly deteriorating Anasazi rock art. Law was Brinkerhoff's principal mentor during graduate school at USU. more



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